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Irene McKinney
Biographical Information
West Virginia Poet Laureate
and West Virginia Wesleyan College faculty member Irene McKinney grew
up in rural West Virginia raised on the family farm that had been her
family’s home for generations. Her parents raised six children,
growing much of their own food on the 300-acre farm and surviving on
her father’s West Virginia schoolteacher’s salary. The
family’s farmhouse had lacked both indoor plumbing and central
heat. McKinney married her high school boyfriend at 17, shortly after
graduation. The couple had 2 children. McKinney later decided to pursue
higher education despite her then-husband’s lack of support.
McKinney enrolled in West Virginia Wesleyan College, completing a bachelor’s
degree in English in 1968 at the age of 29. She received a fellowship
from West Virginia University for graduate work, earning an MA in 1970,
becoming one of the first students to complete a creative thesis.
McKinney returned to Wesleyan in 1971 as instructor. She also taught
briefly at Buckhannon-Upshur High School, where her students included
the then-sixteen Jayne Anne Phillips. She later decided to continue
her education, enrolling in a new graduate program at the University
of Utah, which allowed students to complete a creative dissertation.
McKinney earned her PhD in 1980—her dissertation a poetry collection
called Room for the Wakers. She returned to Wesleyan as a professor
of English and creative writing in 1991. McKinney continues to teach
English and writing at Wesleyan, despite her retirement in 2000.
She lives now on a 35-acre portion of her family’s farm, in
a home full of books and art. Then-Governor Gaston Caperton appointed
her West Virginia poet laureate in 1994.
In addition to her work as poet laureate and her teaching responsibilities
at Wesleyan, McKinney has taught at other institutions including
Western Washington University, the University of California, Santa
Cruz, and Hamilton College. She has spent time as a visiting writer-in-residence
at Alderson-Broaddus College, in South Carolina public schools, and
at the University of Kerla in India. With Maggie Anderson, she co-founded
Trellis, a West Virginia poetry journal. She has also served as an
assistant editor for Quarterly West. McKinney has been awarded fellowships
from the National Endowments for the Arts, the Bread Loaf Writers’ Workshop,
the Utah Arts Council, and the Kentucky Foundation for Women. McKinney
has published four poetry collections—The Girl with the
Stone in Her Lap, The Wasps at the Blue Hexagon, Quick Fire and Slow
Fire,
Six O’Clock Mine Report—as well as having work appear
in numerous periodical publications.
Critical Responses
In an interview with Mark
Dalessandro, Irene McKinney once remarked “Poetry is a place
for truth-telling. In Our society, the truth is often obscured, often
for commercial reasons, whether it be advertising, a lecture or a political
speech…There is no commercial benefit to poetry., There is no
worldly reason to become a poet.” As a poet, McKinney’s
voice rings with truth—about herself, about her homeland, about
all this is or has been. Patrick W. Conner, chair of the West Virginia
University English Department and Centennial Professor of English once
commented on Irene McKinney and her work – “No other state
writer so embodies the region’s character. Her poems consistently
enact the daily joys and hardships of individuals recognizably Appalachian,
yet clearly and distinctly American.” In an essay on McKinney,
Megan Valentine remarked that “she [McKinney] instills in the
reader an actual sense of the core of Appalachia.” John Wehrle,
in his review of the McKinney-edited Backcountry, wrote that the collection “ranges
from the homespun to the bizarre, but there is very little here that
won’t make you backtrack, re-read, and think again.” Her
work is deeply rooted – both in its sense of personal searching
and enlightenment and in the stones of the mountains McKinney calls
home. A reviewer of Six O’Clock Mine Report said
These poems are personal the way meditation is personal. These
are poems written out of a very grounded, place-anchored life:
the West
Virginia mountains, abandoned houses, and burning mines of the
poet’s
roots. The landscape is raw, animated, and particular. A beautifully
crafted voice is at work here in the rhythmic language of authority
that knows a thing and a place well.
Works Published
- Room for the Wakers
- The Girl with the Stone in Her Lap
- The Wasps at the Blue Hexagons
- Quick Fire and Slow Fire
- Six O'Clock Mine Report
Selected Bibliography
Anderson, Belinda. The
Secret to Continuous Creativity: A Profile of West Virginia's Poet
Laureate. Appalachian Journal 6(9), November 2000.
Anderson, Maggie and Jayne Anne Phillips. A Great Tug at the Heart.
Trellis, Spring 1980. [Reprinted in Hamilton
Review Winter 1983]
Lavender, David. West Virginia Poet Takes Center Stage. Herald-Dispatch,
November 9, 2002.
Mann, Jeff. A Conversation with Irene McKinney. In Her
Words: Diverse Voices in Contemporary Appalachian Women's Poetry. Felicia Mitchell,
ed. University of Tennessee Press, 2002. pp.194-205.
Schneider, Rebecca Dinan. Bringing Poetry to the People: Six State
Poets Proclaim Virtue of Verse. Writer 114(4), April 2001.
Writing the Truth: Poet Laureate Irene McKinney. West
Virginia University Alumni Magazine 23(3), Fall 1999.
Author Website
none available
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